Christine Wiederkehr’s 7 Times is a haunting, thought-provoking short film that lingers in the mind long after its brief 17-minute runtime. It delivers an unsettling but powerful exploration of childhood, secrecy, and the devastating impact of abuse, making for an unforgettable viewing experience. From the outset, the film captivates with a symbolic act: Young Elio traps a wasp in a jar, a poignant metaphor for his life's limitations.
Read MoreWrecked a Bunch of Cars, Had a Good Time (2024)
A documentary that delivers exactly what it promises, Wrecked a Bunch of Cars, Had a Good Time is an exhilarating dive into the world of demolition derby. Directed by James P. Gannon and Matt Ferrin, this short but powerful film offers a thrilling look at the competitors who live for the rush of metal-on-metal destruction. The film follows four derby drivers, each with their own motivations and personal connections to the sport, as they prepare for and participate in a high-stakes championship event.
Read MoreGood Boy (2023)
Tom Stuart's Good Boy is a charming yet melancholic dive into personal struggle, mental health, and the weight of familial ties, all wrapped in an offbeat, dreamlike package. With a strong lead performance from Ben Whishaw and an engaging script, the film delivers a touching and whimsical experience. At its core, Good Boy follows Danny, a man desperate to turn his life around but continually pulled in different directions by his past, his well-meaning but chaotic mother, and an array of eccentric characters who weave in and out of his life.
Read MoreNobody Believes Cassandra (2025)
The rise of AI-generated films has been a controversial topic in the industry, with debates raging over creativity, authenticity, and whether machine-generated storytelling can ever truly match human ingenuity. Nobody Believes Cassandra, the latest AI-assisted sci-fi thriller directed by James G. Maynard, ambitiously pushes the boundaries of AI filmmaking. While it stands as a notable advancement in AI cinema, the film itself is a mixed bag—brimming with fascinating concepts yet falling short in execution.
Read MoreSpectrum (2024)
Rick Stanton’s Spectrum is a deeply affecting and thoughtfully crafted short film that explores the journey of Steve, a man with autism, as he navigates a world that often isolates him. Clocking in at just 31 minutes, the film packs a powerful emotional punch, delving into themes of identity, resilience, and the search for acceptance. One of Spectrum’s standout elements is its use of black-and-white cinematography.
Read MorepaSSive poWer (2024)
J.B. Ghuman Jr.'s paSSive poWer is less of a traditional film and more of an immersive experience, blending sensory stimulation, movement, and philosophical reflection into a visually striking 360 VR journey. Shot with the powerful 11K Insta360 TITAN Camera, this short experimental piece challenges conventional storytelling by inviting the viewer to engage in a cerebral and emotional exploration of human existence. From the very start, paSSive poWer asks its audience to remove all labels and strip their minds of preconceived notions.
Read MoreToxemia, Part 1 of Bailey’s Toxic Anthology (2025)
Toxemia introduces viewers to a disorienting, psychological horror experience that delves deep into the fragility of the human mind. Directed by Trisha Gianesin, this short film serves as the first installment of Bailey’s Toxic Anthology, setting the stage for a gripping exploration of mental collapse through three interconnected shorts. Clocking in at just 3 minutes and 14 seconds, Toxemia punches above its weight in terms of emotional depth and tension.
Read MoreGhosts (2024)
Ghosts, directed by the talented Oriana Mejer, is a mesmerizing piece of experimental cinema that defies categorization. Part poem, part visual journey, part cathartic exploration of grief, this film leaves a lasting impression. Drawing from Vauhini Vara's essay on loss and its uncanny AI-generated poetry, Mejer crafts a story that is equally visually inspiring and emotionally resonant.
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