House hunting is terrifying enough without supernatural interference, but Conveyance—a sharp and engaging short film from writer-director Gemma Creagh—adds an extra layer of dread to the process. This well-crafted horror-comedy follows young couple Brian and Suzanne as they finally land their dream home after a string of disappointments. The catch?
Read MoreSynthesize Me (2025) #SXSW
In Synthesize Me, director Bear Damen crafts an intimate and haunting tale of grief, memory, and connection through music. Set in April 1989 in a liminal town near Mexico City, the short film follows young teenager Violeta as she attempts to bring her late mother’s synthesizers back to life—only to unleash disastrous consequences for both her and her father. Delivered in a visually striking 4:3 aspect ratio, Synthesize Me feels both classic and timeless, immersing viewers in its vintage aesthetic while maintaining an emotional core that is deeply resonant.
Read MoreInterwoven (2025)
Step into the heart of North Carolina, where the echoes of textile mills once defined the rhythm of life. Interwoven is a compelling short documentary that masterfully stitches together the past, present, and future of a community shaped by the textile industry. Directed by Dr. Dawn Carpenter, an award-winning ethicist and podcast host, the film is a testament to the power of resilience, innovation, and collective action.
Read MoreM*A*S*H: Pilot (1972) #RetroReview
The pilot episode of M*A*S*H, which first aired on September 17, 1972, lays the foundation for what would become one of television’s most beloved and enduring series. Written by Larry Gelbart and directed by Gene Reynolds, the episode immediately establishes the show’s unique blend of sharp humor, satire, and heartfelt moments. With a premise centered around the antics of doctors and nurses at a mobile army surgical hospital during the Korean War, the series introduces a colorful cast of characters who set the stage for years of clever storytelling.
Read MoreIn the Lost Lands (2025)
The film’s visual style can best be described as 300 meets Mad Max, with a mix of heavy CGI, sweeping landscapes, and desaturated color palettes that give it an otherworldly feel. The wide shots look impressive, creating the illusion of a grand and immersive fantasy world. However, once the camera moves in for close-ups, the cracks begin to show.
Read MoreUnspeakable: Beyond The Wall of Sleep (2024)
Chad Ferrin’s Unspeakable: Beyond The Wall of Sleep is a film that defies conventional critique. It’s bizarre, grotesque, and at times nonsensical, yet it fully embraces its nightmarish aesthetic with a fearless commitment to practical effects and Lovecraftian madness. If you’re a fan of chaotic, low-budget horror oddities that revel in rubbery creature effects and unhinged storytelling, this is one for the books.
Read MoreCritters: All You Can Eat (2023)
Robbie Lopez’s Critters: All You Can Eat delivers exactly what fans of the franchise expect—mayhem, absurdity, and plenty of gnarly little furballs wreaking havoc. While not without its flaws, this low-budget, high-energy installment feels like a love letter to the Critters series, blending practical creature effects, chaotic action, and an eclectic cast of characters into an entertaining, albeit slightly rough-around-the-edges, ride. The film kicks off in a rather unconventional manner.
Read MoreWhere Are You Really From? (2024)
Keshav Shree’s Where Are You Really From? is a sharp, engaging, and refreshingly original comedy that dives deep into the complexities of cultural identity, assimilation, and the unspoken weight of accents in defining who we are. With an inventive premise—a successful Indian managing director in London suddenly losing his British accent after a stroke—the film balances humor and introspection, making for a compelling watch. Shree, who also wrote and directed the film, proves himself to be a multi-talented force.
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